Below you'll find audition and production details for The Wolves by Sarah DeLappe, as well as backstage help required.

Audition dates

Monday 25th November or
Wednesday 27th November

Audition times (both days)
For the role of Soccer Mom: 7.30pm
For all other roles: 8.15pm

Please get in touch with the Director, Ben Clare, with any questions you may have by emailing: benclare@hotmail.com

Production details

Performance space

150-seat theatre (main stage) at Putney Arts Theatre

Performance dates

Tuesday 3rd to Saturday 7th March 2020, 7.45pm

Rehearsal period

There will be a few initial rehearsals in December, then rehearsals will start fully from early January.

These will be 2-3 evening rehearsals on Monday to Thursday at 7.30pm, as well as a 3- or 4-hour rehearsal on a Sunday. Some rehearsals may be needed on Saturdays and on different days and times. Most actors will be called to every rehearsal apart from the part of Soccer Mom. In the final few weeks, actors should be prepared to rehearse on up to 4 days a week.

Please note: This is an amateur production. You do not need to be a member of Putney Theatre Company to audition, but actors and crew will need to become members to take part in the show for £20 a year, and a £20 show fee will also be due.

Audition details

It’s helpful to read the play in advance if you can. There is nothing to prepare, but please wear clothes and shoes you can move in easily. Please also make sure you arrive on time.

Everyone auditioning for the girls on the team will read a scene together. Those auditioning for Soccer Mom will read part of her Scene Six speech.

Recalls will require quite a considerable amount of movement. You do not need to be sporty or be able to play football to be in the play, but there is a significant amount of physical action in the production. The characters speak with American accents: there will be coaching for this during rehearsals.

Synopsis

A town in middle-America. Every weekend a team of girls meet to play football. We listen to their secrets and their squabbles, from the seemingly unremarkable to the incredibly profound. Growing up is tough, especially in a confusing, fast-moving world. Alone, it feels like it might be impossible to fathom, but as a pack, they’re fierce.

Disarmingly funny, The Wolves is a portrait of self-discovery and ambition, speaking to the 16-year-old in all of us.

First seen in New York, this finalist for the Pulitzer Prize for Drama has been an international hit. This is it’s London amateur premiere.

Characters

All ten characters are female.

The following parts are known by the numbers on the backs of their shirts. They can be played by anyone who might appear the age of the characters . You would probably be anywhere between 16 and 30s in reality.

#11 - Midfield: Brainy, conscientious, thoughtful - aged 17

#25 - Defense: Captain, intense, wants to win - aged 16

#13 - Midfield: Stoner, into her wackiness - aged 16

#46 - Substitute: New girl in town. Awkward, different, but just wants to fit in - aged 16

#2 - Defense: Innocent, unlucky, dedicated, kind - aged 16

#7 - Striker: Too cool for school, brittle, sarcastic - aged 16/17

#14 - Midfield: #7’s insecure sidekick, used to be friends with #2, brings the team orange slices - aged 16

#8 - Defense: Childlike and determined to stay that way, into fantasy culture - aged 16

#00 - Goalie: Intense performance anxiety, perfectionist, high-achiever - aged 17

Soccer Mom - mother of #14: Plays a key role in one scene. Encourages the girls to play their best game at a tough time - aged 40s/50s

Backstage

Opportunities available include:

• Football coach
• Accent coach
• Stage manager
• Set construction
• Assistant stage manager
• Costume
• Lighting operator
• Sound operator

Please get in touch with info@putneyartstheatre.co.uk if you are interested in getting involved.

Below you'll find audition and production details for Killology by Gary Owen, as well as backstage help required.

Audition dates

Monday 6th January, 7.30pm
Wednesday 8th January,  7.30pm

Please get in touch with the Director, Ian Higham, with any questions you may have by emailing ian@nickhernbooks.co.uk

Production details

Performance space

Studio Theatre at Putney Arts Theatre

Performance dates

Tuesday 17th to Saturday 21st March  2020 (7.45pm)

Rehearsal period

Rehearsals will take place from January on Monday to Thursday, as well as around 3 hours of rehearsal on a Sunday. Sometimes there may be a need to rehearse on Saturdays and to rehearse on different days and times. Most actors will only be called for 2 rehearsals a week until the final few weeks, when actors should be prepared to rehearse on up to 4 days a week.

Please note: This is an amateur production. You do not need to be a member of Putney Theatre Company to audition, but actors and crew will need to become members to take part in the show for £20 a year, and a £25 show fee will also be due.

Audition details

You do not need to prepare anything, as audition speeches from the play will be provided on the day for you to look at. It will be helpful to have read the play, however, so that you have an understanding of the character/s you are auditioning for. Please also make sure you arrive on time.

Synopsis

Paul has made a killing with a computer game he invented in a fit of pique at his dad, who thought he was wasting the advantages a privileged childhood had bought him.

Alan plots retribution on the man he holds responsible for murdering his son. But did he neglect his own duty, leaving his son unprotected and with no idea what it means to be a man?

Davey, raised in poverty by his mum, is left negotiating his violent neighbourhood, where everyone turns a blind eye to the bullies who hold sway.

In this heartbreaking, painful three-hander, these interconnected stories – told through a series of compelling monologues – gradually interconnect to reveal a devastating tale of violence, loss and revenge.

Characters

Paul – Playing age: late 20s–mid 30

Alan – Playing age: 40-50

Davey – Playing age: 18

Backstage

Opportunities available include:

• Lighting operator

• Sound operator
  

Please get in touch with  with zoe.jeffadputneyarts@gmail.com or info@putneyartstheatre.co.uk if you are interested in getting involved.

Below you'll find audition and production details for Agatha Christie's The Hollow, as well as backstage help required.

Audition dates

27th January, 7.30pm or
29th January, 7.30pm

Recalls
31st January, 7.30pm

Production details

Performance space

Main stage (150-seat theatre) at Putney Arts Theatre

Performance dates

21st to 25th April 2020, 7.45pm
and 25th April 2020, 3pm

Rehearsal period

Rehearsals will take place from 2 to 3 nights a week Monday to Friday, although you may not always be called. There will also be an 11am to 5pm rehearsal on most Sundays. Sometime there may be a need to rehearse on Saturdays and to rehearse on different days and times. For the fortnight before the performances you should be prepared to be called more regularly.

Please note: This is an amateur production. You do not need to be a member of Putney Theatre Company to audition, but actors and crew will need to become members to take part in the show for £20 a year, and a £20 show fee will also be due. But even if you are not cast, we still encourage you to become a member of PTC.

Audition details

If you are planning on auditioning, please download and fill out the audition form:

• The Hollow – audition form (Word Doc, 100KB)

Please email your completed form to zoe.jeffADputneyarts@gmail.com to secure your place. There will be places for people who turn up on the evening, but having your form makes the process quicker.

Please leave your David Suchet and Joan Hickson impressions at home! Although we want to honour the great Queen of Crime, we also want to create something a little different. Think Wes Anderson meets film noir; Kneehigh Theatre meets Hitchcock.

Please read the play. Although the book will give you a feel of the play, it is quite different. The first round of auditions will involve some drama games and some scene work. The recalls will involve more of the same, as well as some detailed character work. Please arrive on time so we can start promptly.

Synopsis

You are invited to join us for a weekend away at The Hollow, the home of Lord and Lady Angkatell. Noted guests include a prominent Harley Street doctor and his wife, a prominent sculptress, a fashionable sales assistant and a country landowner. When the world’s most famous film star makes an uninvited entrance, the weekend becomes more bloody than expected.

Originally a Poriot story, Agatha Christie adapted her novel for the stage, and this proved such a success that she went on to write The Mousetrap, the longest-running play in the world. Putney Theatre Company's modern-day version of this classic from the Queen of Crime promises to intrigue and thrill in equal measure, because, after all, murder is timeless.

Characters

Lady Angkatell
Female, 40s - 60s
The hostess. She is unique, charming if a little harsh and cruel. Talks in a stream of consciousness so it can be hard to follow her.

Henrietta Angkatell
Female, 20s - 40s
A sculptress. She is talented, clever and observant, everyone likes her. She probably knows the most about people out of the whole group.

Midge Harvey
Female, 20s - 30s
Retail assistant. Sarcastic, likeable but sometimes grumpy. Feels the difference in her class quite strongly.

Gerda Christow
Female, 20s - 40s
Housewife. Quiet, timid and loyal. Doesn’t want to be at The Hollow at all this weekend but will do anything for her husband.

Inspector Coquelhoun
Male/female, 30s - 50s
Police. Clever, calm & honest. Arrives at The Hollow once the murder has been committed, good at their job and can’t be intimidated by this powerful family.

Detective Sergeant Penny
Male/female, 20s
Police. Eager, bright and dutiful. A young member of the force, and keen to learn from their superior.

Gudegon
Male/female, any age
Housekeeper/Butler. Efficient and observant. In charge of everything.

Sir Henry Angkatell
Male, 40s - 60s
The host. Content, affluent and convivial. Is a brilliant team with his unique wife as he sort of balances her out. Always wants to help his friends and family.

Edward Angkatell
Male, 20s - 30s
Landowner. Loyal, homebody and kind. He can be quite oblivious to what is happening in front of his eyes but he means well.

John Christow M.D.
Male, 30s - 40s
Doctor. Arrogant, hardworking and charismatic. A good doctor but not necessarily the best person, he underestimates the people around him.

Vernon Craye
M, 30s - 40s
Film Star. Handsome, selfish and manipulative. Comes to The Hollow with ulterior motives and is determined to get his own way.

Backstage

Opportunities available include:

• Sound Designer
• Stage Manager
• Operators

Please get in touch with  with zoe.jeffadputneyarts@gmail.com if you are interested in getting involved.